Robbie Basho-Archives/Style

ROBBIE BASHO - ARCHIVES

Style

About Robbie Basho´s style and musical philosophy:

Trying to describe the music of Robbie Basho with tabulature and tunings is only half of the truth. The main thing is the vision to find the essence of cultures and places: the hue of nature's colors to paint with guitar and voice. Robbie's early compositions were often rough-hewn, long-winding gems full of expression and romantic visions and rooted in the new folk scene of the late 50s/ early 60s (Washington, Berkeley...).(He talked about creating “Zen-Buddhist-Cowboysongs”....) Along with his studies of flamenco techniques, blues, classical music, bluegrass, Oriental, American Indian and Hindu textures (the entire universe is potential), and his experiments to find alternative tunings to express a wide range of emotions and colors, he became one of the pioneers, besides John Fahey, of the contemporary steel-string guitar and the most important forerunner of the later New Age movement. However, Robbie's music expresses more than contemplative beauty -it is dramatic art. With his simple philosophy "soul first -technique later", Robbie developed his own musical universe to marry the spirit and rhythms of Eastern philosophies with Western folk and classical approaches. His style was a study of various different playing techniques with very complex right-hand picking patterns (using the fingernails) and a great left-hand freedom, often working very linear up the neck.In his later years he claimed to use about 30 seperate tunings and various picking-styles.But his overriding interest was not to play a technical contest or sound exotic, but to broaden the dimensions of what we know as our own.

SBJ
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Robbie Basho´s Esoteric Doctrine of Color & Mood for 12&6 string guitar

(published in the album notes of the first “The Seal of the Blue Lotus” issue)

basic chord chart

CHORD	COLOR	MOOD	CONCOMITANT PROPERTIES
E	purple grey	'blues',classic, normal
Em	black, dark-blue	blues pathetique, soul black	religious black rose, sombre-evil
C	yellow, pristine white	sunshine
D	green	quiet pastoral	Runnymede, Irish meadowlands
Dm	dark green, violet-grey-black	darkness, agony-death	thin smoky silver
A	red, sunset brave ochre	wine & roses	in some blues, the alternate grey-blue form
Am	oakbrown, carmina	dolorous solid sorrow mature
F	orange-white	orange creamsicle,deep orange
B	burnished carmine brown-red
Bm	blood red	bravado-danger	batfang-romilar red fantasies

modal tunings chart

CHORD	COLOR	MOOD	CONCOMITANT PROPERTIES
open G	dark blue, purple-pink	deep blues, mountain snows	International Tuning: Tibet-India-Japan-Blues all purpose
open D	forest green		closed D full , Joe Spence
Dm	grey black-green	midevil	onyx projection, night heron green, Buffy Saint Marie
Dm modal frog minor	grey-black green	anguish death AC+DC full sweetness	most solid model, tight boundaries
Tolley D	light green spring	twilight tone fleeting west-sausilito	mint texture, western lullaby utilizing the cocktail string
C	sunyellow, gold, emeraldgreen	majestic, grand symphonic	Krisna
B		experimental	Irish Mystic-leading to japanese images
E	black blues	Fahey -Sullivan	Blind Willy Johnson
Gm7	black wash	Black Nirvana reverent	Black Lotus Fugen Tuning Mary Koth
Cm	Holy Gold Pattonwhite	auric reverence, The Grail Chord	Chord for Orthodox Christian Mysticism of Oriental origen

Some Robbie Basho guitar tunings (more soon):

(Robbie played many variations of the open C tuning. Note, that he tuned his 12string guitar between 3 and 6 half steps lower (on his earlier records mostly 4-6, later-Windham Hill- 3-4) because of the use of medium strings and how the guitars and strings "worked" best for the tunings. Every guitar works different for a tuning; little bit lower or higher...He always tried to find the best pitch for a good sound of a tuning.)

Open C(standard)	CGCGCE	..Song of the Stallion, The Lady, She is in Waiting, Scottish Rites, Variations on Grieg, Variations on Claire De Lune....
C-2	CGCGCD	- Song of the Queen, Roses and Snow ( Hopi Tuning )
Cmodal	CGCGCC
	CGCGCF	- Green River Suite
C-41	CGCGBC	- Turkish
C-14	CGCGG#C	- Japanese (Tassajara-Zen)
C-43	CGCGBD	- Rocky Mountain
Cminor	CGCGCD#	- The Grail and the Lotus
C-55	CGCFA#D#	- The Montreal
C-32	CGCGA#C	- California Raga
C-23	CAGAGC	- Navaho Tuning
C-34	CGCGA#D	- All American Indian Tuning
	CGCD#GA#	- Hymn to Fugen
D48435	DF#DF#AD	- Venus in Cancer
D39343	DFDFAC	- Nightway
	DGDGBDb	- Cathedrals et Fleur de Lis
	DADF#ADb	- Babs
........

Today Robbie Basho ist often seen just as a 12 string guitar player, but most of his recorded work is played on a 6 string, an old Weymann, made in the late '20s in Philadelphia.

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